by James Gilmore
Black Swan is perfect in both conception and construction, although the plot and main character leave something to be desired. Despite a very good script, Aronofsky’s masterful directing far exceeds it, nearly surmounting the story’s shortcomings. Nina and Erica Sayers both lack adequate character depth, as does their relationship. The end result is a strange film whose story fails to engage the audience enough to match the superb filmmaking which surrounds it. Once again, a potential masterpiece is thwarted by a thin script. On the other hand, the exquisite filmic storytelling boasts powerful imagery and cinematography with a strong European—but especially French—influence.
Excellent casting with outstanding performances by the actors. Mila Kunis’ surprising performance demonstrates her capability to grapple serious acting weight while Vincent Cassel’s work falls nothing short of superlatively stunning. Natalie Portman delivers her best performance to date upon transformation into the Black Swan, but otherwise remains her usual self in which she appears to be perpetually on the verge of tears.
On a side note, one might almost call Black Swan “The Machinist for Women.”