Calm, flowing prose on a near subconscious level floats the reader to a violent two-punch ending. Fitzgerald illustrates how careless wealthy people destroy those around them, even men destined for greatness such (as Gatsby), leaving everyone else to pick up the painful pieces. From another angle, Gatsby delivers a scathing opinion of capitalism by depicting it as superficial, debauched and criminal, as embodied by Gatsby himself, a man who came from nothing but gained everything through enterprising opportunism and less-than-legal means. It should have been a short story, but Fitzgerald dragged it out into a novel three times its necessary length, and somehow created one of the most recognized titles of 20th century literature.
by James Gilmore
People want beautiful lies, not the ugly truth. So here’s the ugly truth. Quintessential Bukowski (and thus also redundant Bukowski), he reduces tumultuous stages of growing up into grit and fact through simple, beautiful, stabbing prose in a human juxtaposition of outer toughness and painful inner sensitivity. One might consider this a 1982 “rewrite” of Catcher in the Rye. A must for any Bukowski fan or seekers of raw truth. An offensive piece of trash for sensitive readers and those who prefer safe masks and beautiful lies.