Powerful Rewriting Tools #1: The Laundry List

Rewriting is difficult. It’s daunting. It can be overwhelming.  And every writer has been there.

Rewriting (also called “editing”) is a different skill from writing with its own set of techniques. While the initial writing process utilizes many of your instinctual and emotional creative energies, the rewriting process taps into a separate part of your brain, making use of your logical and analytical acumen. No matter which way you approach rewriting, it is still mentally taxing and a lot of hard work.

rewriting tools the laundry list to rewrite creative fiction story scienceTo help you through this brain intensive process we are going to bring you a series of powerful rewriting tools, the first of which is called the Laundry List. The Laundry List is a “to-do” list of items that need work in your current draft, allowing you to organize and address each issue with surgical precision and without becoming lost or sidetracked.

Here’s the short version:

  1. Read the piece all the way through.
  2. Reread the piece again, this time making notes in the form of a to-do list.
  3. Rewrite your piece based on only one item at a time.
  4. Address all items on list.

Now let’s break it down:

Step back, let it sit.
You’ve just finished the colossal task of completing a draft and you are feeling on top of the world. Your head is still awhirl with the details as you enjoy a self-congratulatory pat on the back. Don’t jump into rewriting yet. Leave it alone for a few weeks, possibly a few months (3-6 months at most).

Reread it from beginning to end.
Now you can return to your draft with a fresh set of eyes. Dust off the old manuscript and reread the entire piece from beginning to end without stopping to rewrite. Allow yourself to make a few notes along the way but don’t start the actual rewriting process until you have finished your read-through. This will re-familiarize you with the material as work your way through the next step.

Make a to-do list.
Read the piece again, this time making a to-do list of every item, big or small, that needs addressed. Be sure to designate which issues are major and which of those are minor. How you organize your list is up to you, but here are a few suggestions:

  • OUTLINE: Traditional outline with smaller issues nested beneath larger parent items.
  • COLUMNS: Place issues under major headings such as character, structure, protagonist desire, etc.
  • CHRONOLOGICAL: List items in the order that they occur in your story, using some kind of notation to indicate if major or minor.

Rewrite with purpose.
Each item of your laundry list gives you a clear, reasonable goal to work toward and will keep you from becoming overwhelmed. As you tackle each issue only work on one item at a time, no matter how tempting it is to do more. It’s very easy get sidetracked and lost if you don’t stick to your goal.

Start with the big things, end with the small things.
Address major issues first. The bigger, the better. You can go smaller from there. By fixing the major issues you will probably eliminate some of the smaller points on your laundry list and save the unnecessary stress and hair loss of having to cut minor rewrites that have become irrelevant during subsequent revisions of major points. Things like dialogue polishes and punctuation, vocabulary, etc. should be saved for last.

And voila! You have just completed a thorough rewriting of your piece. It takes some work, but by diligently chipping away at your lump of raw material bit by bit until you have your very own Statue of David left in its place. So the next time you are thinking about jumping into the editorial pool start by making yourself a Laundry List and soon you will be on the road to rewriting your next masterpiece.

Until next time, bon courage and keep writing!

The Last Airbender, a film by M. Night Shyamalan

by James Gilmore

M. Night Shyamalan’s The Last Airbender is nothing short of a fiasco. Watching Airbender is like watching a group of kids play make believe on a $150m budget. Of its scant virtues are a solid midpoint with an interesting twist and beautiful cinematic scenery, neither of which are enough to save this film from ridicule and oblivion.

The plot is a series of anticlimactic events wherein few sources of conflict come to a head in a do-or-die confrontation. The acting lacks any sense of urgency, even at the most critical of moments, and most of the characters appear to have only a narrow range of emotions, most of which consist of being at the brink of bursting into tears at any given moment. Further exacerbating the problem, awkward, immature dialogue is almost exclusively expository and devoid of subtext, castrating every scene of any potential emotional fortitude. Although targeted to a younger audience this does not give the filmmaker an excuse to leave out basic elements of storytelling (contrast Airbender to any Pixar film and one can see the difference is not so much a disparity as a black gaping chasm).

For a director incapable of creating fast-moving action sequences to take on an action film is certainly laudable as a challenge to Night’s filmmaking abilities, but unfortunately the result is an abysmally failed experiment. While is directorial skills remain unquestioned, he should stop writing his own material and stay away from action-oriented films as his own style caters much better to the slow-moving sequences of his earlier works.

Perhaps the most fatal flaw of Airbender is its repeated penchant for “telling” the audience about the world of the film and hardly ever “showing” it. Most of the story is revealed through expository dialogue instead of showing the audience through visual imagery. He takes “show, don’t tell” to the polar opposite, telling the audience about the movie instead of actually illustrating it for us. The oddity is so extreme that one might think there wasn’t enough time/money to finish shooting these sequences, as in the climactic battle of the classical sword-and-sandal epic Cleopatra.

Through his restrained intensity and confident subtlety, Aasif Mandvi is the acting highlight of the film and just about the only positive element in it.

M. Night Shyamalan’s The Last Airbender is a fantasy epic that falls far short of its grandiose aspirations, ultimately coming across as a very expensive B movie (like his previous film, The Happening). It’s safe to say that we won’t be expecting any blood-pumping thrillers or teen heartthrob sensations out of Shyamalan anytime soon—or ever.

Rating: 1.5 / 5

Ichi the Killer, a film by Takashi Miike

By James Gilmore

From the director of 13 Assassins comes Ichi the Killer, a gruesome but creative narrative that challenges the senses with its pushing of sex and violence to the extreme in an orgy of gore (a “gore-gy” if you will). (Ichi is banned in several countries for its “high impact violence and graphic depictions of cruelty”[Wikipedia].)

Although listed as an action/comedy/crime film imdb.comIchi may feel more like torture porn than anything else to regular movie-going audiences. Its surreal, creative departure from typical gore flicks is intriguing, enhanced by a unique soundtrack, thoughtful acting, and a deceptively simple plot which takes on new depth at the midpoint.

Ichi’s tortured main character is furnished with the uncanny ability to paint any room with a smorgasbord of blood and guts. A sexual dysfunctionary, this weak-minded assassin is the victim of manipulative bullies who push him to avenge a non-existent incident from his past. And while the film plays out as a visual dissertation on sadomasochism, the story is actually about bullying and bullies who, as adults, are fighting for survival among the fiercest criminals of the Shinjuku underworld. The protagonist manages to purge the screen of its many villains in a disappointingly anti-climactic conclusion.

Although it may be the most light-hearted torture porn ever made, Ichi the Killer is not for the faint of heart. Anyone expecting innocent laughs, seat-riveting action or a good old fashioned crime story should avert their eyes and ears and move on to something else. File Ichi in the “most gruesome films of world cinema” category, right next to Salo.

Rating: 3 / 5